The show hasn’t been a big commercial success. It’s never attracted a viewership to rival that of an HBO tent-pole series, like The Sopranos or even the short-lived Deadwood. It isn’t seen as a template for future TV dramas, primarily because its form more or less demands that each season be watched from the beginning. Whereas each episode of The Sopranos advanced certain overarching plot points but was essentially self-contained, anyone who tries to plumb the complexities of The Wire by tuning in at mid-season is likely to be lost. If the standard Hollywood feature is the film equivalent of a short story, each season of Simon’s show is a 12- or 13-chapter novel.
Atlantic Monthly > Mark Bowden > The Angriest Man In Television
In the West, Politkovskaya’s honesty brought her a measure of fame and a string of awards, bestowed at ceremonies in hotel ballrooms from New York to Stockholm. At home, she had none of that. Her excoriations of Russia’s President, Vladimir Putin, insured isolation, harassment, and, many predicted, death. “I am a pariah,’’ she wrote in an essay last year. “That is the result of my journalism through the years of the Second Chechen War, and of publishing books abroad about life in Russia.’’ Despite the fact that Politkovskaya was articulate, attractive, and accomplished, she was barred from appearing on television, which is the only way the vast majority of Russians get news. To the degree that a living woman could be airbrushed out of post-Soviet history, she had been. “People call the newspaper and send letters with one and the same question: ‘Why are you writing about this? Why are you scaring us?’ ” she wrote. “ ‘Why do we need to know this?’ ” She provided an answer as much for herself as for any reader: “I’m sure this has to be done, for one simple reason: as contemporaries of this war, we will be held responsible for it. The classic Soviet excuse of not being there and not taking part in anything personally won’t work. So I want you to know the truth. Then you’ll be free of cynicism.’’
New Yorker > Michael Specter > Kremlin, Inc.
Weblog: gnomen est omen.
Weblog: io9.
“The Wire,” created by David Simon, a former reporter for The Baltimore Sun who was a producer and writer for “Homicide,” has been a critical darling too. Each season the series has picked apart some looming national problem — the failed war on drugs, the deterioration of working-class life, dysfunctional political leadership, overwhelmed urban schools — as it affects a sprawling group of characters that has included cops, drug dealers, politicians, teachers, longshoremen and other (often tawdry) Baltimoreans.
NYT > Felicia R. Lee > Bittersweet Work of Wrapping ‘Wire’
Between them, George Lucas and Steven Spielberg have made 13 of the 100 top-grossing movies of all time. Yet they struggled for more than a decade with the upcoming fourth installment of their billion-dollar Indiana Jones franchise, Indiana Jones and the Kingdom of the Crystal Skull. Annie Leibovitz gets exclusive access to the set, while Lucas, Spielberg, and their star, Harrison Ford, tell Jim Windolf about the long standoff over the plot, why critics and fans will be upset, and how they’ve updated Indy.
Vanity Fair > Jim Windolf > Keys to the Kingdom
GreenCine: Best Gay DVDs of 2007.
Bauer sucht Frau, neben My Super Sweet 16 meine neue Lieblingsfernsehserie. Ich weiß gar nicht, was mir am besten gefallen hat: das so genannte Scheunenfest mit den Stehtischen, die badischen und hessischen Akzente der so genannten Damen oder die so genannten Kennenlerngespräche, bei denen auch gern schon mal Brüderschaft getrunken wird.
Also mit dir Kreuzworträtsel lösen, das wäre schon mal was! # Was mich am allermeisten an dir gereizt hat, dich kennen zu lernen, das ist der Hofgeruch! # Hubert und seine Castella: hat sich bereits das erste Traumpaar gefunden? # Jungbauer Stefan: mit Schweinen kennt er sich bestens aus. Nun hat er es mit zwei Zicken zu tun: wie wird er sich entscheiden?
»a gross, pale, english titty vampire«
»This Xmas everyone in my life gets a digital photo frame loaded with stills from their favorite striking TV shows.«
(+) Webseiten des Jahres:
ffffound.com(+) Weblogs des Jahres:
I like my style
Buzzfeed
The Sartorialist VVORK(+) Kinofilme des Jahres:
Robidog
being boring
mediumflow
kottke.org
things magazine
2 Tage Paris
No Country for Old Men
Pan's Labyrinth
Dajeerling Limited
Grindhouse: Planet Terror & Death Proof
(+) Label des Jahres: Main Street Records
(+) Songs des Jahres:
Say, Method Man & Lauryn Hill
Hot Summer, Monrose
Glamorous, Fergie
(+) Serienfigur des Jahres: Omar Little
(+) Video des Jahres: Pass This On, The Knife
(+) Mashup des Jahres: Confusion vs. Frank Müller Melodram, Ricardo Villalobos vs. New Order
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wow, deutschland. die sonne scheint morgens doch, es ist kalt, ich trage für diese jahreszeit definitiv die falsche kleidung, wie ich am frankfurter hauptbahnhof schnell bemerke, denn im gegensatz zu allen anderen habe ich gar keine jacke und keinen schal bei mir, sondern ein schlabberiges shirt und einen viel zu dünnen kapuzenzipper. im radio laufen die sugababes, die pet shop boys und ganz viele andere lieder, die ich toll finde. erster snack: ein brötchen mit mozzarella und ein donut mit puderzucker. im zug erst mal 80 euro für die fahrkarte bezahlt, da meine bahncard vor einer woche abgelaufen ist. vor lauter gram direkt in ein einzelabteil umgezogen und dort in einen komatösen schlaf gefallen. linsensuppe, selbstgebackener kuchen und um dich herum sprechen alle, äh, deutsch. komisch.
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