The show hasn’t been a big commercial success. It’s never attracted a viewership to rival that of an HBO tent-pole series, like The Sopranos or even the short-lived Deadwood. It isn’t seen as a template for future TV dramas, primarily because its form more or less demands that each season be watched from the beginning. Whereas each episode of The Sopranos advanced certain overarching plot points but was essentially self-contained, anyone who tries to plumb the complexities of The Wire by tuning in at mid-season is likely to be lost. If the standard Hollywood feature is the film equivalent of a short story, each season of Simon’s show is a 12- or 13-chapter novel.

In the West, Politkovskaya’s honesty brought her a measure of fame and a string of awards, bestowed at ceremonies in hotel ballrooms from New York to Stockholm. At home, she had none of that. Her excoriations of Russia’s President, Vladimir Putin, insured isolation, harassment, and, many predicted, death. “I am a pariah,’’ she wrote in an essay last year. “That is the result of my journalism through the years of the Second Chechen War, and of publishing books abroad about life in Russia.’’ Despite the fact that Politkovskaya was articulate, attractive, and accomplished, she was barred from appearing on television, which is the only way the vast majority of Russians get news. To the degree that a living woman could be airbrushed out of post-Soviet history, she had been. “People call the newspaper and send letters with one and the same question: ‘Why are you writing about this? Why are you scaring us?’ ” she wrote. “ ‘Why do we need to know this?’ ” She provided an answer as much for herself as for any reader: “I’m sure this has to be done, for one simple reason: as contemporaries of this war, we will be held responsible for it. The classic Soviet excuse of not being there and not taking part in anything personally won’t work. So I want you to know the truth. Then you’ll be free of cynicism.’’

Weblog: gnomen est omen.

Weblog: io9.

“The Wire,” created by David Simon, a former reporter for The Baltimore Sun who was a producer and writer for “Homicide,” has been a critical darling too. Each season the series has picked apart some looming national problem — the failed war on drugs, the deterioration of working-class life, dysfunctional political leadership, overwhelmed urban schools — as it affects a sprawling group of characters that has included cops, drug dealers, politicians, teachers, longshoremen and other (often tawdry) Baltimoreans.

Between them, George Lucas and Steven Spielberg have made 13 of the 100 top-grossing movies of all time. Yet they struggled for more than a decade with the upcoming fourth installment of their billion-dollar Indiana Jones franchise, Indiana Jones and the Kingdom of the Crystal Skull. Annie Leibovitz gets exclusive access to the set, while Lucas, Spielberg, and their star, Harrison Ford, tell Jim Windolf about the long standoff over the plot, why critics and fans will be upset, and how they’ve updated Indy.