The show hasn’t been a big commercial success. It’s never attracted a viewership to rival that of an HBO tent-pole series, like The Sopranos or even the short-lived Deadwood. It isn’t seen as a template for future TV dramas, primarily because its form more or less demands that each season be watched from the beginning. Whereas each episode of The Sopranos advanced certain overarching plot points but was essentially self-contained, anyone who tries to plumb the complexities of The Wire by tuning in at mid-season is likely to be lost. If the standard Hollywood feature is the film equivalent of a short story, each season of Simon’s show is a 12- or 13-chapter novel.
Atlantic Monthly > Mark Bowden > The Angriest Man In Television
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